Expressive charcoal study of an ostrich running. The aim was loose movement and angles. 

Drawn on Fine Art textured bright white paper, A3. I would suggest a cream mount when framing to give contrast. 

This piece has a partner, the left hand side of the ostrich image, inverted. It’s not a total replica, symmetry wasn’t the aim- I wanted each to have their own flow. The right hand is a lighter, it feels more airy and fleeting. I love the yin & yang quality of the two together. 

Any questions, please ask.

Free UK P&P.